Radio Euphoria - Deep House, Vocal House, Chill Out, Nu Disco HOUSEMUSIQUE - The Original Deep House by Netmusique Old House Mixes - Real Deep House DJ Mixes & Sets Archive You can enjoy a variety of radio as follows:ĭEEP HOUSE LOUNGE - 320 MP3 ĭeep House Network - Streaming Deep House & Soulfulĭ | The Future Sound Of Deepĭeep Link NYC - Soulful Deep House DJ Mixes - DeepLinkĪFTERNOON by VMIX.FM :: Deep House and Garage House MusicĮlectronic Music FM Radio - electronicmusic.fm - Deepĭj Radio - zuerich - Deeper Link NYC - Deep House DJ Mixes DeeperLinkĭJ ZONE House Radio - KANAL KOM, Plovdiv, Bulgaria This application is very light and easy to use. Within this application there are hundreds of radio Deep House that you can enjoy anywhere and anytime. Follow on Twitter.Are you Deep House music lovers? Now you can enjoy a variety of your favorite music through this application Deep House radio. You can start with Riverside.fm for $7.50 a month, for two hours of recording time.Įmail and let me know what kinds of videos you’re creating. The platform allows you to download both video and audio files, so it’s a great solution for audio podcast producers too- and lets your guests make eye contact through video even if you don’t use the video files for your production. It doesn’t currently have an ability to integrate on-screen graphics like “lower thirds,” the graphic showing a person’s name and title, but I’m pretty sure that will come along soon. You can have up to eight guests on a Riverside recording, and several “producers” who are in the session but not recorded, and you can have an audience of up to 1,000 viewers, so Riverside could also be used for rudimentary livestreaming. By the time you finish your conversation, each participant’s recording has been uploaded, and the finished recordings look just like they were recorded, in full high-definition with decent sound not distorted by Zoom’s compression or Internet buffering issues. As the recording session continues, Riverside.fm uploads the local recording to its cloud storage in chunks. So that recording is not subject to any degradation because of a weak connection to the Internet. The key difference is that the recording takes place on each participant’s local computer. Riverside.fm activates their camera and microphone and you record your interview just like talking on a Zoom call. Using Riverside.fm, you provide your guest a “studio” link that they open in their browser. Later, the recording from the guest’s location is delivered to the studio and engineers synchronize the two sides of the conversation so it looks like it was all recorded together. In the offline world, this means if you are interviewing a guest at a distant location, you send a sound engineer (or a video crew) to that location, and back in the studio, you interview them over the phone while the crew records their responses. When I worked in radio news, we used to call it a “double-ender,” and today it’s often called a “tape sync.” These platforms embrace a model once used only by broadcasters with lots of resources. There are several others that are similar, like Streamyard ( /) and iris.fm. We’ve been working recently with a platform called Riverside. A new generation of recording and livestreaming platforms based in the cloud is on stream now, and the results they offer are surprisingly good. If they are connecting over a weak Wi-Fi signal, their video picture is degraded, and frequently disconnects during a broadcast. The video quality of the remote guests is completely dependent on the bandwidth of their Internet connection. In fact, now that I’m familiar with its look and feel, I’m pretty sure I’ve spotted vMix productions on several major networks and local TV outlets.īut as good as vMix is for live productions, it has a glaring limitation. It’s a little like the familiar and ubiquitous Zoom, but it has more TV production-style bells and whistles that make the live broadcast look like a TV show. It allows you to bring in up to eight remote guests on video connections. Up to now, I’ve relied on the remote connection capabilities in my livestream production platform from. During the COVID-19 pandemic, much of my time has been spent producing live remote broadcasts of events that were once held in person, and sometimes, we’ve had to produce prerecorded segments to be played during a livestream broadcast.
0 Comments
Leave a Reply. |